Lost in Europe: Jab Harry Met Sejal is not even a visual delight

Harry and Sejal listlessly travel from one city to another, none of which is distinguishable from each other,

Even before Imtiaz Ali’s Jab Harry Met Sejal (JHMS) released last Friday, concerned voices had made themselves heard. “Why couldn’t they at least come up with an original title?” said a fellow Shah Rukh Khan fan to me. Indeed, the title was similar not only to the genre-defining 1989 romantic comedy classic When Harry Met Sally but also to Ali’s wildly successful Jab We Met (2007). In the run-up to the release, almost everything — the trailer, the songs — seemed to disappoint fans eagerly waiting for the old Ali or SRK-Anushka Sharma magic. Finally, on the big screen, all the fears seemed to have come true.

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Within hours of the release, critics panned it almost unanimously. Rajiv Masand for News 18 wrote that SRK and Anushka deserved a better film, Anupama Chopra bemoaned the loss of the filmmaker Ali, who gave us Rockstar (2011) and Highway (2014) and could once combine stars and demands of mainstream cinema with raw narratives. Others were less kind: HuffPost said the film was everything wrong with Bollywood, and in a visceral review, The Wire described it as a 144-minute tribute to Shah Rukh Khan’s ego. In fact, the responses have been so devastating that the director and the leading man have been compelled to defend their project with such clichés as this film was not an intellectual exercise but aimed to appeal to masses.

But a look at the box office figures prove how this ambition, too, has been thwarted. In its first weekend, considered the most important in determining the success or failure of a film, JHMS managed to rake in only a dismal Rs 45.75 crore. This is a personal low for Khan in five years, and it prompted a Mint analysis piece: “flop show signals star power alone can’t guarantee success”. Read more

Woman battles open defecation in Toilet: Ek Prem Katha. Here's the reality

The woman's revolt leads to social change but women do not appear to be a position to rebel in India

Akshay Kumar’s movie Toilet: Ek Prem Katha (A love story), releasing on August 11, 2017 tells the story of a young bride who walks out of her marriage when discovers that her in-law’s home does not have a toilet. The satire deals with open defecation and Kumar calls it his “contribution” to the Swachh Bharat Mission spearheaded by Prime Minister Narendra Modi.

The prime minister responded with words of appreciation for the film.

In the film, the young woman’s revolt leads to social change, but in real India, women do not appear to be a position to rebel–even if they are educated.

Women have limited decision-making powers in the construction of toilets in homes, according to a 2016 study conducted in Puri, a coastal Odisha district, by researchers at the London School of Hygiene and Tropical Medicine.

Women and girls are most vulnerable to problems associated with open defecation.

In 80% of households, decisions on the construction of sanitation facilities were made exclusively by men, the study found. In 11%, the decision was made by men in consultation with their wives, and in no more than 9% was the decision made by women.

These findings are relevant because only 37% of households in Puri district have improved sanitation, according to the National Family Health Survey 2015-16 (NFHS-4). However, this is higher than rural Odisha’s average of 23% and state average of 29.4% of households with toilets. Read more

Sachin: A Billion Dreams: A glorified account of an over-glorified celeb

Like his book, Tendulkar's biopic is a nostalgic cruise through his career

As I walked out of the cinema hall after watching Sachin: A Billion Dreams, I wondered: Would I have thought differently of this biopic had I not known anything about the person it is based on? James Erskine’s documentary on one of the most celebrated cricketers in the world – one who has achieved a near-deific status in India – went along expected lines.

But was that because I, like many Indians and cricket followers around the world, already knew so much about Sachin Tendulkar? How would someone living under a rock for the last quarter of a century, and did not know who Tendulkar was, have liked it?

Sachin: A Billion Dreams starts off rather nicely, showing us a naughty curly-haired boy of seven or eight years living in Mumbai’s Bandra suburb, getting up to the usual seven-or-eight-year-old boy things like annoying his neighbours with pranks. The boy then receives a cricket bat as a gift from his elder sister, and this is where the story that most Indians and cricket followers already know begins.

This wasn’t the first time I was watching the celluloid adaptation of a story I already knew. I wasn’t, of course, expecting any suspense or plot twists, but I have been far more entertained by some of those other movies where I already knew what was going to happen, than I was by Sachin: A Billion Dreams. Maybe our man under the rock might think differently, but then a story still needs to be told properly, completely and honestly, and this is where Erskine’s attempt is found lacking. (more)

Smartron srt.phone: A fine deal if you are a die-hard Sachin Tendulkar fan

Powerful innards of Smartron's 'all-rounder' smartphone are failed by its many software glitches

Domestic information technology (IT) start-up Smartron, which counts Indian cricket legend Sachin Ramesh Tendulkar and former Motorola Mobility Chief Executive Sanjay Jha among its investors, recently launched the srt.phone smartphone, “inspired by the dependable traits of Tendulkar”.

At the launch of srt.phone, the company claimed that the smartphone used the best antennas and other security features that made it an all-rounder. Indeed, Smartron has pleased investors with its manoeuvres to deliver solutions ranging from internet of things (IoT) to smartphones built specifically for Indian consumers. But how does the srt.phone fare against the claims of dependability and the inspiration it apparently draws from one of the tallest role models for India in recent times?

To find out, Business Standard took the device for a spin and tested its real-life performance. Here is an in-depth review of the srt.phone:

Watch the hands-on review here
Design

The srt.phone offers a no-frills design, with rounded edges and curved sides. The smartphone might look appealing, but its polycarbonate built with metallic finish seems to somewhat spoil the experience. The plastic built is not loose or creaky – it fits perfectly on all sides and the matte touch adds to the aesthetics – but the pseudo metallic look was not necessary; it is way too prominent even at the first glance.

The front of the srt.phone is dominated by a 5.5-inch full-HD display protected with Gorilla Glass 3. There are three capacitive keys below the display, but these are without any sign or icon, just three flat dots. These dots acts are the home button and navigation keys. The earpiece along with sensors are placed neatly on the top, next to the front camera. (more)

Salman Khan not worried about Baahubali 2 box office record

Baahubali: The Conclusion has so far collected over Rs 1,500 crore across the world

SS Rajamouli's "Baahubali: The Conclusion" may be setting the box office on fire but superstar Salman Khan said he doesn't get worried about the business of a film as he thinks every movie has its own destiny.

"Baahubali: The Beginning" released on July 10, 2015, a week before Salman's "Bajrangi Bhaijaan".

"Baahubali: The Conclusion", which hit theatres on April 28, has so far collected over Rs 1,500 crore across the world.

"After 'Baahubali: The Beginning', we came up with "Bajrangi Bhaijaan". Now after 'Baahubali: The Conclusion', we are coming up with 'Tubelight'. There is a lot of pressure on the CEO of Salman Khan Films. I don't get worried so much. It is a phenomenal success and it is amazing.

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"I have not seen the film but I will watch it. But it doesn't matter (box office records) as I think every film has its own destiny. Lets see what the destiny of 'Tubelight' is and how much it earns," Salman told reporters here at the trailer launch of "Tubelight".

The "Dabangg" star on a lighter note further said, "They (referring to Rajamouli doing one film in four years) do one film in four years, I do two films in a year and the average is that much."

Salman's brother, actor Sohail Khan, who also stars in "Tubelight", said it's good if a movie sets a record at the box office.

"It's lovely when a film does well commercially as it sets a yardstick (for other films). It's nice that 'Baahubali...' did well," Sohail said.

During the launch, Salman seemed emotional while talking about his other co-star, legendary actor Om Puri. (more)

Brad Pitt in Mumbai to attend War Machine screening, meets Shah Rukh Khan

The 53-year-old actor plays a US General posted in Afghanistan

Hollywood superstar Brad Pitt is in India to promote his latest film, the Netflix satire "War Machine".

Bollywood star Shah Rukh Khan will be moderating a special chat session here with Pitt, in which the two actors will discuss the project.

In the movie, the 53-year-old actor plays a US General posted in Afghanistan.

Directed by David Michod, of "Animal Kingdom" fame, the Netflix Original film is inspired by the book "The Operators: The Wild & Terrifying Inside Story of America's War in Afghanistan" by late journalist Michael Hastings.

An investment in the range of $60 million also makes it Netflix's biggest-budget feature to date.

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Surprise! Brad Pitt in India to promote 'War Machine'

Pitt's character is loosely based on General Stanley A McChrystal, a retired United States Army general best-known for his command of Joint Special Operations Command (JSOC).

His last assignment was as Commander, International Security Assistance Force (ISAF) and Commander, US Forces Afghanistan.

Hastings's blistering profile on McChrystal led to his firing by Obama.

Pitt's company Plan B is also one of the producers of the film.

The first big-budget Hollywood movie on Netflix will be released on May 26.